Post by yerblues1968 on Jan 8, 2012 17:03:34 GMT -5
MIKE SMITH PASSES ON 50 YEARS AFTER TURNING DOWN THE BEATLES
liverpoolbeat.com
Saturday, 7 January 2012
Mike Smith sadly passed on in December 2011 almost fifty years after that momentous day when he turned down the Beatles and instead gave a recording contract to Brian Poole & The Tremoloes.
Mike however, had some tremendous successes in his career, and I must say that having heard the Beatles recordings completed on 1st January 1962, I can understand why he might have made his decision. Whether it was the fact that The Beatles had a bad day or perhaps, as I suspect, it was a little too early in their career, is open to opinion. One thing is for sure, the band were an entirely different proposition just a few months later.
The first artist he produced was the Irish singer Bridie Gallagher. When Dick Rowe rejoined Decca as A&R (Artists and Repertoire) manager, he worked closely with him.
One of Mike's early successes was Billy Fury. Here's a quote from Mike.
"I really enjoyed being with Billy Fury in the studio," "and Halfway To Paradise sounded right from the moment it started. Dick Rowe had picked the song; Ivor Raymonde had written the arrangement; and my contribution was keeping everyone sober. Billy was managed by Larry Parnes and I remember Larry telling the bass guitarist to 'tighten his strings'. That became a running joke at Decca."
When Brian Epstein became the Beatles' manager in late 1961, he invited Decca to audition the band. "Somebody had to show some interest in the Beatles," said Smith, "because Brian Epstein's shop, NEMS, was an important account for our sales people. I went to the Cavern and I should have trusted my instincts as I thought they were wonderful on stage. We arranged for them to come to London on New Year's Day, 1962 and in the studio they weren't very good. I think that we got to them too early but it was probably just as well as I couldn't have worked with them the way that George Martin did at EMI. I would have got too involved in their bad parts and not enough in their good."
As it happens, Dick Rowe had asked Smith to choose between the Beatles and another band he had recorded the same day, Brian Poole and the Tremeloes. Smith had been told about this band from Barking by his optician, who was managing them. Smith chose Brian Poole and the Tremeloes and, on other day of the week and at any other time, that would have been a fine decision. The group had many hit records, but it meant that Smith had turned down the Beatles: "I did meet them subsequently, and they gave me a two-finger salute, but that's par for the course."
Brian Poole and the Tremeloes had several hits for Decca including Do You Love Me (a No 1) and Twist And Shout (copied from the Beatles' first album), and Smith also produced hits for the Applejacks and Dave Berry. When Poole split with the Tremeloes, Smith moved with them to CBS and a long succession of mostly happy-go-lucky hit singles followed including Here Comes My Baby and Even The Bad Times Are Good. The Tremeloes topped the charts by covering a Four Seasons' B-side, Silence Is Golden, in 1967.
When the Tremeloes were unenthusiastic about releasing Yellow River as a single, he recorded it with the song's writer, Jeff Christie, and, as Christie, the single made No 1 in 1970.
Smith often worked with Georgie Fame, including an album of standards, Georgie Does His Thing With Strings (1969) and an album of duets with Alan Price, Fame And Price Together, which included the hit single Rosetta (1971).
In 1967 Smith produced Georgie Fame's No 1, The Ballad Of Bonnie And Clyde. "When I took the tape into the studio to overdub the sound effects, I discovered an electrical fault. We had clicks all through the rhythm track. We had to add a new rhythm track and to this day, Georgie doesn't believe what we did. It was an outstanding record and the sound effects were wonderful."
When Love Affair was signed to CBS they made Everlasting Love with the producer Muff Winwood but their playing was not thought strong enough and the lead vocalist, Steve Ellis, was asked to remake the song with Mike Smith. The fact that Love Affair's hit single featured session men was a media scandal in 1968. Smith also recorded Marmalade with a song from the Beatles' White Album, Ob-La-Di, Ob-La-Da, which went to No 1.
Smith later worked for GTO Records and in a record pressing factory, and he occasionally spoke at Beatle conventions. He was delightful company and self-deprecating about his achievements. He had emphysema in his later years.
Michael Robert Smith, record producer: born Barking, Essex 30 April 1935; died Camberley, Surrey 3 December 2011.
www.independent.co.uk/news/obituaries/mike-smith-record-producer-who-had-a-string-of-no-1-hits-but-turned-down-the-beatles-6283369.html
www.liverpoolbeat.com/Mike-Smith-The-Man-Who-Turned-Down-The-Beatles.html
liverpoolbeat.com
Saturday, 7 January 2012
Mike Smith sadly passed on in December 2011 almost fifty years after that momentous day when he turned down the Beatles and instead gave a recording contract to Brian Poole & The Tremoloes.
Mike however, had some tremendous successes in his career, and I must say that having heard the Beatles recordings completed on 1st January 1962, I can understand why he might have made his decision. Whether it was the fact that The Beatles had a bad day or perhaps, as I suspect, it was a little too early in their career, is open to opinion. One thing is for sure, the band were an entirely different proposition just a few months later.
The first artist he produced was the Irish singer Bridie Gallagher. When Dick Rowe rejoined Decca as A&R (Artists and Repertoire) manager, he worked closely with him.
One of Mike's early successes was Billy Fury. Here's a quote from Mike.
"I really enjoyed being with Billy Fury in the studio," "and Halfway To Paradise sounded right from the moment it started. Dick Rowe had picked the song; Ivor Raymonde had written the arrangement; and my contribution was keeping everyone sober. Billy was managed by Larry Parnes and I remember Larry telling the bass guitarist to 'tighten his strings'. That became a running joke at Decca."
When Brian Epstein became the Beatles' manager in late 1961, he invited Decca to audition the band. "Somebody had to show some interest in the Beatles," said Smith, "because Brian Epstein's shop, NEMS, was an important account for our sales people. I went to the Cavern and I should have trusted my instincts as I thought they were wonderful on stage. We arranged for them to come to London on New Year's Day, 1962 and in the studio they weren't very good. I think that we got to them too early but it was probably just as well as I couldn't have worked with them the way that George Martin did at EMI. I would have got too involved in their bad parts and not enough in their good."
As it happens, Dick Rowe had asked Smith to choose between the Beatles and another band he had recorded the same day, Brian Poole and the Tremeloes. Smith had been told about this band from Barking by his optician, who was managing them. Smith chose Brian Poole and the Tremeloes and, on other day of the week and at any other time, that would have been a fine decision. The group had many hit records, but it meant that Smith had turned down the Beatles: "I did meet them subsequently, and they gave me a two-finger salute, but that's par for the course."
Brian Poole and the Tremeloes had several hits for Decca including Do You Love Me (a No 1) and Twist And Shout (copied from the Beatles' first album), and Smith also produced hits for the Applejacks and Dave Berry. When Poole split with the Tremeloes, Smith moved with them to CBS and a long succession of mostly happy-go-lucky hit singles followed including Here Comes My Baby and Even The Bad Times Are Good. The Tremeloes topped the charts by covering a Four Seasons' B-side, Silence Is Golden, in 1967.
When the Tremeloes were unenthusiastic about releasing Yellow River as a single, he recorded it with the song's writer, Jeff Christie, and, as Christie, the single made No 1 in 1970.
Smith often worked with Georgie Fame, including an album of standards, Georgie Does His Thing With Strings (1969) and an album of duets with Alan Price, Fame And Price Together, which included the hit single Rosetta (1971).
In 1967 Smith produced Georgie Fame's No 1, The Ballad Of Bonnie And Clyde. "When I took the tape into the studio to overdub the sound effects, I discovered an electrical fault. We had clicks all through the rhythm track. We had to add a new rhythm track and to this day, Georgie doesn't believe what we did. It was an outstanding record and the sound effects were wonderful."
When Love Affair was signed to CBS they made Everlasting Love with the producer Muff Winwood but their playing was not thought strong enough and the lead vocalist, Steve Ellis, was asked to remake the song with Mike Smith. The fact that Love Affair's hit single featured session men was a media scandal in 1968. Smith also recorded Marmalade with a song from the Beatles' White Album, Ob-La-Di, Ob-La-Da, which went to No 1.
Smith later worked for GTO Records and in a record pressing factory, and he occasionally spoke at Beatle conventions. He was delightful company and self-deprecating about his achievements. He had emphysema in his later years.
Michael Robert Smith, record producer: born Barking, Essex 30 April 1935; died Camberley, Surrey 3 December 2011.
www.independent.co.uk/news/obituaries/mike-smith-record-producer-who-had-a-string-of-no-1-hits-but-turned-down-the-beatles-6283369.html
www.liverpoolbeat.com/Mike-Smith-The-Man-Who-Turned-Down-The-Beatles.html